dr. Ivana Čapeta Rakić: Pogled z jugovzhoda. Delavnica Santa Croce
Ljubljana, Filozofska fakulteta Univerze v Ljubljani, 12. maj 2015 ob 18.00.

Spoštovane kolegice in kolegi,

Slovensko umetnostnozgodovinsko društvo in Oddelek za umetnostno zgodovino ljubljanske Filozofske fakultete vas vabita na predavanje dr. Ivane Čapeta Rakić (Univerza v Splitu) o slikarski delavnici Santa Croce. Predavanje v hrvaškem jeziku bo v predavalnici 343 Oddelka za umetnostno zgodovino UL FF v torek, 12. maja 2015 ob 18.00.

Povzetek:

The eastern cost of the Adriatic Sea, from Kopar in the north to Boka Kotorska in the south, is characterised by numerous artworks from the Santa Croce workshop. In the 16th century, two families of painters who bore the same name of Santa Croce were simultaneously active in Venice, while the Eastern Adriatic was dominated by works of one branch of the said family of painters whose artworks are the topic of this lecture. The founder of that workshop was a painter who usually signed his works as HIERONYMO DA SANTA CROCE or HIERONYMVS DE SANCTA CRVCE, who was turned by later art criticism into Girolamo da Santa Croce (Santa Croce, Val Brembana, Bergamo 1480/1485 – Venice 1556). From the 1540's onward, he produced his paintings in collaboration with his son Francesco (Venice, 1516 – Venice, 1584). Their works have also been identified in the sacral premises of Apulia and Abruzzi on the other side of the Adriatic coast. As opposed to a good reception of their works in peripheral and provincial areas, in the wealthy and culturally and religiously developed capital the number of their works was reduced to occasional commissions predestined to be placed in less significant locations in La Serenissima. This lecture aims to to draw attention to some specific features of their artworks such as typology, morphology and iconography of their works from the perspective of the periphery as opposed to the works from the capital.